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Without a qualifier, which happens to be the name of quite a different building) and fig. . The two loggias were reconstructed from remaining fragments in modern times, that of the Osteria in , that of Ca’ Donà della Madonetta (still open when Canaletto drew it in the s in his Quaderno, fol. r) shortly before World War I. Similar loggias are depicted on half a dozen Romanesque palaces in Jacopo de’ Barbari’s view: five (including Ca’ Donà della Madonetta) appear in a row along the Grand Canal near S.

10 When, beginning at the end of the tenth century, seigneurial seats were enclosed in walls, becoming castles, or were built ex novo as fortified residences, the palatium block became one of the structures within the castle’s inner curtain (Fig. 12 If the structure is relatively tall in proportion to its width and depth, it has even been called a “residential tower”13 or, whether fortified or not, a “keep,”14 or equivalent terms in other languages. It goes without saying that this long-standing terminological inconstancy, even confusion, has hindered, rather than furthered, ready comprehension of the development.

Represented in diagrams – of Maretto’s schematics, cited above, note . This particular formula dominates all palace architecture in Venice from the fifteenth century forward. qxd 22/06/2004  10:03 AM Page 12                           Besides Ca’ Farsetti and Ca’ Loredan, cited above, Romanesque examples of the building type include Ca’ Barzizza on the Grand Canal near S. Silvestro (late twelfth century in its nucleus), Ca’ da Mosto on the Grand Canal near SS.

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AIA - Architectural Photography

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