By Chris Gilleard, Paul Higgs
This ebook investigates the emergence of a 'new ageing' and its realisation throughout the physique. The paintings explores new different types of embodiment fascinated by id and care of the self, that have obvious the physique develop into a domain for getting old otherwise - for growing old with out turning into old.
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Extra resources for Ageing, corporeality and embodiment
In his book The Family Life of Old People, Peter Townsend wrote how ‘so many men talked of retirement as a tragedy. They were forced to recognise that it was not their working life which was over, it was their life […] their life became a rather desperate search for pastimes or a gloomy contemplation of their own helplessness’ (Townsend 1963, 169). ). Apart from this, ageing and old age had nothing to sell. From Division to Difference: The Eclipse of the Old Ageing Even as Peter Townsend was writing his book on old age, the patterns of kinship he was writing about were beginning to disappear.
There is something distinctive, however, in the way that contemporary contestations over ageing have transformed the way that ageing is interpreted, experienced, represented and understood by a new generation of older people. Chronology and corporeality have become disconnected as the relationship between age’s corporeality and its embodiment has become more fluid than before. As sources of social identity, ageing and agedness have become less easily read off the body and chronological age has become less acceptable and less adequate in representing people as ‘aged’, ‘elderly’ or simply ‘old’.
While there are differences in theoretical positions and the positions they seek to represent, what is notable is that they seek to provide a basis for judgements about what is and what is not acceptable as forms of bodily appearance, bodily practice or dressing the body. One element that is distinct about the consumerism of ‘liquid modernity’ is the democratisation of fashion. As Vinken has observed, the emerging agency of fashion as instigator of cultural change can be dated to the late 1960s and early 1970s, when ‘fashion becomes a co-production between the creator and those who wear the clothes’ (Vinken 2005, 35).
Ageing, corporeality and embodiment by Chris Gilleard, Paul Higgs