By Joanna Grabski, Carol Magee
Joanna Grabski and Carol Magee compile a compelling assortment that exhibits how interviews can be utilized to generate new which means and the way connecting with artists and their paintings can remodel inventive construction into cutting edge serious insights and information. The participants to this quantity contain artists, museum curators, artwork historians, and anthropologists, who deal with inventive construction in a number of destinations and media to question earlier makes use of of interview and galvanize substitute understandings of art.
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Additional resources for African Art, Interviews, Narratives: Bodies of Knowledge at Work
Dakar: Université Cheikh Anta Diop, 1998. Ukadike, N. Frank. ” Transition 78 (1999): 136–153. 3 Can the Artist Speak?
I learned quickly that anecdotes and memories about these artists would slip into many of the interviews I undertook in the period following their deaths. Their presence was celebrated for their radical experimentation, profound appreciation for beauty and dignity, and the alternative approaches they brought to their art; their absence was marked by disbelief, nostalgia, and grief. Marking the space for their absence may be read on many levels. References to them might be interpreted as ways to manage absence and understand experiences of loss, especially when the conversations transpired in close temporal proximity to the artists’ deaths.
An answer to the question of what I hoped to find by revisiting these documents eludes me still. Interviews with artists have been fundamental to my research; they are, at most, a starting point for an analysis and, at least, one of many elements factoring into larger analytical frameworks. That I defaulted to listening to what artists had to say about their work was predictable. It recognizes that the process of writing a memorial text is forcibly a retrospective task entailing looking back over a body of materials composed of various documents (including objects and interviews qua documents) with the goal of identifying what an artist did that was particularly meaningful or powerful.
African Art, Interviews, Narratives: Bodies of Knowledge at Work by Joanna Grabski, Carol Magee