By James Wilkes (auth.)
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The painting’s austere atmosphere can be seen as an astringent prophylactic just as readily as a lament for enclosure. Stepping back: The beach from a distance Bell’s painting, then, of a ﬁgure trying and failing to measure herself against a sea which has been unmoored from its horizon, who Studland Beach 39 faces instead of inﬁnity a tomb-like mass, brings us to a point where we can think the crossing of the three histories which have been traced out above. 119 He cites the writings of the former Imagist poet John Cournos, who wrote in 1917 that the Vorticists had ‘hardly realised that the true exponents of modern art were the men on the German General Staff [ .
A matter of inﬁnite importance’ for those who experience it, he hesitates before a gulf which not only risks plunging him ‘in the depths of mysticism’,57 but entails an admission he is unwilling to make: that he, just as much as Ruskin or Tolstoy, wishes to imbue art with an ethical dimension that will justify its existence. E. 58 Moore provided Fry and Bell with an intellectual 28 A Fractured Landscape of Modernity framework which permitted them to value works of art as ‘a class of objects so powerful and direct as means to spiritual exaltation that all minor merits are inconsiderable’, as Bell wrote in his popular book Art,59 and furnished them with a morality which valued the effect produced by an artwork on a single individual as a good in itself, over and above any social effects it might have.
Two squadrons of the 4/7 Dragoon Guards took part in an earlier phase of the exercise on 4 April, using recently developed amphibious tanks to make their way ashore independently of their landing craft. 28 The principle was then applied to Valentine and subsequently Sherman Duplex Drive tanks, as the secluded waters of Studland Bay became the site of extensive tests and training. d. Source: Dorset, Bovington Tank Museum. 6, show tank crews in training with the cliffs of Ballard Down in the background.
A Fractured Landscape of Modernity: Culture and Conflict in the Isle of Purbeck by James Wilkes (auth.)